Grace Cavalieri, Maryland’s Poet Laureate, interviewed me for her long-running radio podcast called The Poet and the Poem. Sharing the voices of Maryland’s poets is one of Grace’s goals for her work as our state’s laureate. I’ve known Grace for over ten years and feel blessed to call her a friend. Her generosity of spirit shies through in this broadcast where she kindly invited me to share my work.
I took a poetry class with Chad Frame, the Emeritus poet laureate of Montgomery County, PA back in June. Chad provided many challenges for us–such as writing found poetry, shape poetry, and centos, to name a few. By far, I thought that the golden shovel form was the most opaque, and I dreaded trying my hand.
Terrance Hayes originated the Golden Shovel form when he wrote two poems as homages to Gwendolyn Brooks’ poem “We Real Cool.” He wrote one poem in 1981 and one in 1991 and both of them use the words in Brooks’ poem as the last word of each line in the Hayes poem.
From “We Real Cool” by Gwendolyn Brooks
We real cool. We/left school. We
And here are the first correlating lines of the 1981 Hayes’ poem
When I am so small Da’s sock covers my arm, we
cruise at twilight until we find the place the real
men lean, bloodshot and translucent with cool.
His smile is a gold-plated incantation as we
drift by women on bar stools, with nothing left
in them but approachlessness. This is a school
I do not know yet. But the cue sticks mean we
So what you get if you read down the final word of each line in the Hayes’ poem are the lines in Brooks’ poem.
I wrote my poem with a one line from a David Whyte poem called “Sweet Darkness” because I’ve used the line as a piece of guiding wisdom for many years: “Anything or anyone that does not bring you alive is too small for you.”
A few words about process. I wrote the words down the right side of an 8×11″ sheet of paper and just went for it. I actually pleased with the results.
It could rain anything
during the night—leaves or
maybe you dream of anyone
speaking a riddle that
you can answer. In what language does
a cardinal call? I yearn for time not
designed by Tech gods who bring
endless yet useless updates to you.
None of them will keep you alive
until your imagination is
free to understand that too
many things feel small
because a cramped vision is useless for
the world that calls to you.
I’d love to hear from you if you decide to jump in! Drop me a line.
On January 10, 2020, Morna McNulty exhibited her collection of photos from deserted spots in and around Ellicott City, MD. I read from my three poetry collections, and my son, Brian Potts, accompanied me on a variety of percussion instruments. We had a great turnout! Everyone enjoyed the art, poetry, music, and refreshments. Here are a couple of photos from the event. Enjoy and hope to see you next time!
In 2018, I participated in a Baltimore storytelling event called Stoop Stories, hosted by Jessica Henkin and Laura Wexler. At that event, all of us told a story about drugs: addiction, accidents, recreation, and recovery. Here’s a link to my story (at 11:54) where I talk about how a car accident saved my life.
Poetry and Conversation
Catonsville Presbyterian Church- France Room
1400 Frederick Rd.
Friday, September 20th, 7PM
Memories are full of many images, and none are more powerful than the voices of those people in our lives whom we’ve loved and who have challenged us. Ann Bracken and Ann Quinn will read from their collections of poetry dealing with memories whose power has shaped them and influenced their writing journeys. Come for an inspiring evening of poetry and conversation with two local authors.
Ann Bracken, an activist with a pen, who grew up in Catonsville, has authored two poetry collections, No Barking in the Hallways: Poems from the Classroomand The Altar of Innocence, serves as a contributing editor for Little Patuxent Review, and co-facilitates the Wilde Readings Poetry Series. Her poetry, essays, and interviews have appeared in anthologies and journals, including Bared: Contemporary Poetry & Art on Bras & Breasts, Fledgling Rag, and Gargoyle. Ann’s poetry has garnered two Pushcart Prize nominations and her advocacy work centers around arts-based interventions for mental health and prison reform. Website: www.annbrackenauthor.com
Church member Ann Quinn, who has led a bi-monthly Writer’s Group at CPC for the past five years, is a poet and essayist, editor, teacher, mentor, mother, and classical clarinetist. In her poetry collection, Final Deployment,published by Finishing Line Press, the child of a Vietnam War naval aviator matures into motherhood and experiences the death of her own mother. These poems remind us of what nature teaches about death’s necessity and its potential for transfiguration. Ann’s award-winning work has been published in Potomac Review, Little Patuxent Review, Vietnam War Poetry, Haibun Today, andSnapdragon, and is included in the anthology Red Sky: Poetry on the Global Epidemic of Violence Against Women. She conducts writing workshops and music camps, volunteers in schools and libraries, and plays in a symphony orchestra. Ann holds an M.F.A. in poetry from Pacific Lutheran University and lives in Catonsville, Maryland with her family. Visit her at www.annquinn.net
Join us for this inspiring evening of creative listening and conversation. The authors will have copies of their books for sale, and refreshments will be served.
I have a few summer events scheduled as well as one for September. I’ll have more details and registration links once they are posted. Hope to see you in a class soon!
Thanks to everyone who came to the Roland Park reading. You were a great crowd, and I appreciate your support!
Hamilton Street Club, June 5, 2019, Baltimore 12pm-2pm
I will discuss and read poetry from my 2015 volume, The Altar of Innocence, which explores ideas associated with family secrets and trauma and the many ways a family is affected by the serious emotional struggles of other family members. Because I have training and wide experience in using poetry and the arts in healing, I will also discuss how poetry and journaling can be used to reach those who struggle with the all-too-common human experiences of severe emotional distress.
Currere Exchange: Conference in Oxford, Ohio June 12-14, 2019
I’ll be presenting a proposal for an art installation exploring my mother’s journey to conquer her nearly 40 years of depression and anxiety. Using a variety of artifacts, including letters, prescription records, and insurance forms, I detail my mother’s journey and raise questions about the nature of depression and the current models of treatment.
Jump-start Your Creative Writing: East Columbia Library, September 11, 2019 1-2:30pm (registration details coming soon)
Do you have stories inside just begging to be told? Do lots of great ideas fill your imagination? Is there something you want to say but you don’t know where to begin? Then this class is for you. Ann Bracken has published numerous essays, interviews and two books of poetry since she began her writing career. During this class, students will explore a variety of basic techniques to enhance any type of creative writing you want to pursue, including memoir, fiction, and poetry. In this class, we’ll explore and practice using image and figurative language, specific and concrete details, and varying the pacing and rhythm of lines and sentences. All of these techniques can help to propel your writing from good to great.
Ann Quinn and I will be reading from our collections on April 4, 2019, at the Roland Park Branch of the Enoch Pratt Library from 6:30 -8pm. More information is available if you click on the link below. Hope to see you there!
Voices That Are Always With Us: Memories are full of many images, and none are more powerful than the voices of those people in our lives whom we’ve loved and who have challenged us. Ann Bracken and Ann Quinn will read from their collections of poetry dealing with memories whose power has shaped them and inspired their writing journeys. Come for an evening of poetry and conversation with two local authors.
I’m looking forward to this year’s Florida Creativity Conference in Sarasota running from March 29-31, 2019. My good friend, Kathy Leydon Conway, and I will be offering a workshop on poetry and memoir on Saturday, March 30th from 9-11am. Here’s a graphic and a link below for registration. The conference is wonderful, and the people are fun and interesting. Give it a try!
Register now for the 2019 Florida Creativity Conference March 29-31
Still time to put this event on your calendar!
I’ll be reading along with Joelle Biele and Ann Quinn at the Pratt Library Central Branch on November. 1st from 6:30 to 8:00pm.
All of us with be sharing our poetry and will have books for sale. It’s always wonderful to be a guest at the Pratt, the library where I spent many hours reading and researching. Come on out and join us for a great evening!
I’m honored to participate in two events as part of Peter Brunn’s New Day Campaign using the arts to heal addiction and mental illness. Here are some details. Hope to see you there!
175 W. Ostend Street #E, Baltimore MD, 21230
September 12, 2018, 3:30 – 5:00pm
Are you a visual artist, performer, writer, or other sort of creative person who wants to challenge stigma associated with mental illness or substance use? Do you care about making a difference with your art and words? Here is your chance to learn how to become involved with the New Day Campaign’s Dusk & Dawn series of programs in 2018-2019: join us for a gallery reception from 3:30-4:00pm, followed by a presentation and question and answer session with New Day Campaign founder and director, Peter Bruun.
1101 Maiden Choice Lane, Baltimore MD, 21229
December 2, 2018, 4:00 – 6:30pm
An exploration on the therapeutic power of art making (and making art about what ails us), and a look at the related but different clinical practice of art therapy. Please join poet and author Ann Bracken, writer and spoken word artist Kondwani Fidel, art therapists Sharon Strouse and Peggy Kolodny, and the artists who exhibit in We the People: New Day Campaign in an event combining performance, readings, and conversation. Reception with light appetizers and refreshments and a hands-on therapeutic art activity begins at 4:00pm; program and conversation begins at 5:00pm.